In December 2016, Ka posted a photo of a newspaper clipping to his Twitter account. It was a short item about the Cuban American artist Carmen Herrera, who, at the age of 101, had recently received her first solo exhibition at a major museum. In the 1940s and ’50s, she had begun to restrain herself, clarifying a minimal but dynamic approach to abstract expressionism—but, the paper lamented, was ignored by an art world too fixated on her “macho” contemporaries. Over nearly 70 years, working on a

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