Russell's bold and unsettling turn as a racist cop in the 2002 crime film veers from dark comedy to haunting tragedy without missing a beat, resulting in Russell's most provocative and multifaceted antihero. On Taylor Sheridan ‘s recent series “The Madison,” Kurt Russell exudes such an effortless ease as a big-city millionaire more comfortable fishing in Montana than making deals in New York that one might think the actor is essentially playing himself. It’s a logical assumption, until one