Photo: Agata Grzybowska I can’t think of another filmmaker working today who relishes black-and-white photography the way Paweł Pawlikowski does. His new film Fatherland , like Cold War and Ida , is shot in a lustrous monochrome that turns shadows into punctuation marks and sunbeams into something holy, and that makes its performers, chief among them an incredible Sandra Hüller, look lit from within. (The cinematographer is Łukasz Żal, who shot Hamnet and The Zone of Interest. ) The Polish