Stephen Kunken in Kyoto, at the Newhouse. Photo: Emilio Madrid Who will free us from the handsome British issue drama? Plays that float across the Atlantic on clouds of critical praise with sumptuous, starkly modern whizbang production design—lord how much funding you all have over us Americans—and which purport to tackle serious issues, but exhibit, once you scratch past the hard lighting and drum-forward soundscapes, a facile shallowness. Earlier this fall on Broadway, we had Will Graham’s