As Maria Balshaw steps down after nine years, her successor at the gallery needs to forge a fresh financial and cultural path As Maria Balshaw steps down after nine years, her successor at the gallery needs to forge a fresh financial and cultural path R oland Rudd, the chair of Tate, is in a bullish mood when we meet at his offices in the Adelphi Building, which sits on the Thames between the art institution’s two London sites. “Things have never been better,” he says. It’s a rebuff to any