From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films I n Steven Soderbergh’s beguiling new movie The Christophers , a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly