Cannes: Charline Bourgeois-Tacquet's latest exploration of what feminine sensuality really looks like unfolds in chapters, some of which delight, while others confound. Don’t let the forgettable title fool you: Charline Bourgeois-Tacquet’s “A Woman’s Life” is far more memorable than all that . It’s also far more contained than the word “life” would have you believe. Instead, the “Anaïs in Love” filmmaker uses her sophomore feature to zoom in on an often-overlooked period in a woman’s existence: