When Spanish actor-turned-director Aina Clotet received a call that her directorial feature debut “Viva” was shortlisted for Cannes ‘ prestigious Critics’ Week sidebar, she thought she was dreaming. When the selection confirmation call came a month later, she felt almost “dizzy” with disbelief. Clotet had already been to Cannes, albeit at a different festival: her first directorial effort, the series “This Is Not Sweden,” played at Canneseries in 2024, won Clotet best performance, and went on