Like their counterparts around the world, Japanese women photographers “share a long tradition of being ignored,” either because they are overlooked, deliberately excluded or stuck in a Catch-22 of catering to a patriarchal industry that ultimately dismisses them as too sexual, “amateurish” or feminine. This is noted in “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now,” an anthology that seeks to fill a void in the documented history of women’s contributions to