Hedda Gabler — you remember her, right? Daughter of a famous general? Recently married to a promising academic yet already a frustrated wife, prone to boredom and depression? Likes destroying lives and stirring up a lot of shit at parties? The title character of Henrik Ibsen’s 1891 play has been one of those theater roles that, like Macbeth or Mama Rose, is designed to test an actor’s mettle. Everyone from Ingrid Bergman to Cate Blanchett has taken a crack at it. Some have found themselves