Spencer Thomas sets the phrase that many of us have been repeating these days to glorious Eighties synth sounds in his new single, “The World Is Fucked and I Love You.” Over a drum machine beat programmed by co-producer Nate Nelson and a one-man-band orchestra of acoustic guitar, bass, and synth played by Thomas, the Mississippi artist frets about pollution and landfills, slanted news and rebuked science, and the fear that WWIII is right around the corner. But even if all those calamities come