Cannes: The "I Saw the TV Glow" director's meta horror homage aims for the heart as much as the head, set off by the sparks of sapphic chemistry flying between Anderson and co-star Hannah Einbinder. Visionary filmmaker Jane Schoenbrun ’s work is many things, but you wouldn’t up to this point have necessarily called it optimistic or accessible. The enthusiastically queer , genre-literate director used their feature debut “ We’re All Going to the World’s Fair ” as not just a love letter to