What starts as a compelling satire of the film industry turns into an unconvincing schlocky mess that even Fred Melamed can’t save What starts as a compelling satire of the film industry turns into an unconvincing schlocky mess that even Fred Melamed can’t save N ot a bad idea for a Hollywood satire here – and there’s a cameo for renowned character turn Fred Melamed, whose appearance does however have the effect of exposing how callow everyone else is on screen. Much as I wanted to like this lo-