Ramsay tells IndieWire about "Die My Love" cuts made since Cannes, feeling protected by Martin Scorsese in pre- and post-production, and how she knows "when a movie lives or not." Lynne Ramsay has taken all of her films — confrontational tone poems generally revolving around one individual’s fissuring psyche — to Cannes. There was her 1999 debut, “Ratcatcher,” about an impoverished Glasgow boy suffering tragedies and drawn almost telepathically to an eerie canal. Then, “Morvern Callar,” in