Aleshea Harris’ revenge thriller frames rage as reckoning, following twin sisters who turn their childhood trauma into a relentless quest for family justice. Warning: This piece contains spoilers from “Is God Is.” For far too long, Black women onscreen have been expected to show up as anything but defiant or fully human. Particularly when Black women’s rage enters the conversation, the dialogue too often turns to whether it feeds into the “angry Black woman” trope, rather than acknowledging us