An absurdist satire, a horror story, science-fiction, a historical drama, a black comedy: this year’s Oscar-nominated composers were called to score a variety of engaging scenarios. But they had one thing in common: a special scene in which they could take pride, moments where music made a difference in each film. For Ludwig Göransson, up for Oscars in both song and score categories, it was the juke joint scene in “ Sinners ” where Preacherboy (Miles Caton) sings “I Lied to You” and, thanks to