By Stephanie Zacharek January 24, 2025 2:43 PM EST S ometimes what’s absent from a film defines it as much as what’s present. Negative space is the great underused resource in filmmaking. It demands that you trust your audience to follow along, to fill in every intentional gap, to pick up the meaning of every invisible whisper. Steven Soderbergh was the brash young kid on the block when he made Sex, Lies, and Videotape (1989), in which then-new technology cracks the world open for a married