Collateral damage: Vulture, by Phoebe Greenwood, reviewed
Israel
Greenwood’s debut novel is both a commentary on the ethics of war reporting and a satirical portrayal of the news industry Sarah Byrne is covering her first war and, after a slow start, things are finally picking up. Sweating in her flak jacket and undersized helmet, the twentysomething British freelancer is aiming for a scoop. One of her contacts might be persuaded to arrange a visit to “terror tunnels,” the headquarters of a Palestinian network whose activities Israel cites as justification
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