Berlin: Moving between two worlds, Geneviève Dulude-De Celles’ sophomore fiction calls into question the modern art industry’s predatory exploits. Following Gregg Araki’s “ I Want Your Sex ” and Cathy Yan’s “ The Gallerist ,” which both premiered at this year’s Sundance Film Festival to mixed results, Geneviève Dulude-De Celles’ “ Nina Roza ” is the latest 2026 film to take a swipe at the absurdities of the contemporary art world. Though instead of relying on the scandalous machinations of