PARK CITY, Utah (AP) — Chris Pine gets a lot of scripts sent his way, but when Rachel Lambert’s “Carousel” landed on his proverbial desk it was like he’d stumbled on something from a different filmmaking era. In Lambert’s lyrical prose was a story that, to him, felt very Robert Redford , very “Ordinary People.” “My favorite word for this film is quotidian,” Pine said in a recent interview with The Associated Press. “It’s a film in which nothing happens and yet everything happens.” It’s fitting