The rise of multisensory installations like Frameless are an inspiring way for children to interact with art – but do they risk making the real thing seem less exciting? The rise of multisensory installations like Frameless are an inspiring way for children to interact with art – but do they risk making the real thing seem less exciting? Y ou know Hieronymus Bosch’s The Garden of Earthly Delights? That psychedelic triptych chock-a-block with creatures real and imagined and the monstrosities of