The ghost in Joko Anwar ‘s “ Ghost in the Cell ” doesn’t haunt – it holds accountable. Indonesian filmmaker Anwar used his Berlinale Forum entry “Ghost in the Cell” to channel societal anxieties about systemic corruption and environmental destruction through supernatural horror, creating a prison-set thriller that treats its genre elements as political instruments rather than escapist entertainment. Rachel Weisz and Leo Woodall Get Provocative in First Look at 'Vladimir,' Netflix Limited Series