Geeta Gandbhir’s study of the Ajike Owens killing turns police footage into a devastating lens on fear, race and a nation fatally addicted to firearms Geeta Gandbhir’s study of the Ajike Owens killing turns police footage into a devastating lens on fear, race and a nation fatally addicted to firearms T he true crime genre has a new medium, or maybe even a whole new language and grammar: police body cam footage. Faces of victims, witnesses and possible perpetrators loom up to the cameras,