The Roses and Cruella clearly show that he is the maestro at creating dialogue American audiences did not exactly flock to the Benedict Cumberbatch-Olivia Colman comedy The Roses last weekend, but those who did may have been pleasantly surprised, as well as appalled. Although the publicity and trailers took care to stress that it was the new film from the director of Meet The Parents – and certainly some of the more elaborate set-piece slapstick scenes bear the hallmark of the filmmaker Jay