We take it for granted today, but John Woo has one of the most recognizable visual styles of any living filmmaker. Back in the mid-1980s, what started in Hong Kong reverberated around the world, as Woo — who was then stuck at the lowest point of his career — elevated action to art, finding poetry in the medium’s most destructive genre. For many years, and for no good reason, it was all but impossible for international audiences to see the three John Woo movies that saved his career, launched