Home > Creative Content > Reviews The pitch-black comedy frequently threatens to overwhelm but thrives on the bleakness of our tech dystopia There was a brief window when Gore Verbinski’s success with the first three “Pirates of the Caribbean” movies felt like the inmate had taken control of the asylum. Within the bounds of Disney, perhaps the safest and most staid studio, he cranked out a bonkers adaptation of a theme park ride, replete with ideas and visuals designed to both tickle and