I teach a course on AI and filmmaking at USC's School of Cinematic Arts, and lately, rather than planning each session well in advance, I've been structuring the class the night before. I'll browse platforms like X, Substack and YouTube, selecting the most provocative articles and video clips to present the following morning. It's a testament to how quickly artificial intelligence's relationship to filmmaking is evolving: Each week brings new -- often startling -- developments. The next morning