What the hell did I just watch?
Francis Ford Coppola
There’s a refreshing idealism to Megalopolis . In a time overflowing with grim , nihilistic postapocalyptic stories , Francis Ford Coppola’s latest film is a retrofuturistic parable about creating a better world through architecture, science, and dreams. Unfortunately, that sheen fades almost immediately. The film wants viewers to imagine an idealistic future. But its vision for that future is so vague as to be meaningless. For all of its good intentions, Megalopolis is a confusing, bloated
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