It is oddly encouraging that a film like Ryuya Suzuki ‘s “ Jinsei ” — not that there are many films like Ryuya Suzuki’s “Jinsei” — should be released within weeks of “The Odyssey” and “Disclosure Day.” Those two 2026 tentpoles are unalike in most ways, except that each will be the product of hundreds of people moving heaven and earth, starry casts and astronomical budgets at the behest of inordinately famous and commercially successful filmmakers, in order to elicit from us viewers the merest

Tag-uri: Suzuki