Genki Kawamura tells IndieWire about turning a hit Japanese video game, set in Tokyo's underground corridors, into a cinematic purgatory for his first partnership with Neon. Anyone who’s been on a New York subway these days knows the hell you’re often in for. Never mind the teeming, bunched-in masses. As cell phone service expands on the MTA and headphones seem to have no value underground, we’re subjected more than ever to doomscrolling at full volume — and the nauseating, water-torture pling