Those who loved last year’s Wicked —the first part of Jon M. Chu’s epic two-part Oztravaganza adapted from the megahit Broadway show —should know that Wicked: For Good is more of the same. The same goes for anyone who hated it. You’ll get more of the same curiously garish-yet-washed-out color scheme, more of the same dishwater-hued songs, more of the same Big Life Lessons tumbling out so rapidly and thoughtlessly that they end up merging into a muddy nonsensical blur. Wicked was such a huge hit