This six-part adaptation of Sarah Moss’s novel is deeply confused. The acting is melodramatic, the tone bewildering and the plot is full of cartoonishly grim situations that go nowhere This six-part adaptation of Sarah Moss’s novel is deeply confused. The acting is melodramatic, the tone bewildering and the plot is full of cartoonishly grim situations that go nowhere H olidays can be murder. Regular domestic life often smothers a festering seam of incompatibility in a relationship, or a fault