“I took the approach of, How would I want to listen to music? Bad-sounding music drives me crazy.” Photo: Matthew Murphy and Evan Zimmerman Nobody would consider Dog Day Afternoon to be a music-forward film. The 1975 bank-heist drama breaks out a trio of songs only at its start and end, focusing instead on the interior complexities of the leading men portrayed by Al Pacino and John Cazale who want to take the money and run. So imagine the surprise for viewers of its new Broadway adaptation when