The World War II drama has been a hearty staple of the film industry’s diet for more than 80 years—even as Hollywood has turned away from the kind of meat-and-potatoes offering that the genre represents. And after so many decades, directors somehow still keep finding new narrative nooks and crannies to explore. Take Anthony Maras’s latest movie, Pressure , which asks a question that had never occurred to me: Just how stressful was it to be the person tasked with picking the opportune moment for