From VistaVision to 70mm, the release strategy for Paul Thomas Anderson's latest film offers a plethora of options for discerning cinephiles, but which is the best? We watched them all to find out. In 2012, writer/director Paul Thomas Anderson generated a wave of palpable excitement among cinephiles by shooting and releasing “The Master” in 70mm, a high-resolution analog format that hadn’t been used on a major release since Kenneth Branagh’s “Hamlet” over 15 years earlier. At the very moment