Alberto Sciamma's lovely work of magical realism suggests that the nuanced views accompanying adulthood might ultimately be inferior to a child's certainty that everything will work out. The idyllic opening images of Alberto Sciamma’s “ Cielo ” would never lead you to suspect the morbidity that comes mere seconds later. The shots of a tranquil alpine lake with crystal-clear water and an adorable girl (Fernanda Gutiérrez Aranda) playing on the shore appear designed to set up something ripped