For over 20 years, Edgar Wright has been one of the most genre-defying visual stylists of his filmmaking generation, with movies like Scott Pilgrim vs. The World, Baby Driver, Last Night in Soho, and of course, the beloved Cornetto Trilogy (Shaun of the Dead, Hot Fuzz, and The World's End). With his new adaptation of Stephen King's The Running Man, Wright looks back on a career well-shot, picking some of the shots that have meant the most to him across his first seven films and concluding by