Home > Creative Content > Theater Matthew Libby’s new thriller is ready for the big screen – after he gives it an ending One of the great pleasures of being a critic is seeing a new play that has the potential to shock. Revivals can’t do that and works that have been reviewed or have great word of mouth can’t do that. Way back in 1979, when Martin Sherman’s “Bent” opened on Broadway, Walter Kerr at the New York Times wrote of one scene: “I’m not going to describe an equally disturbing event