James Gray has always been an intensely personal filmmaker, but his last movie, “Armageddon Time” (2022), took a turn into the explicitly autobiographical — it was all about his experience growing up in dowdy middle-class Queens in the early ’80s, a setting that allowed Gray to take forays into themes of race and pop culture and the shadow of Donald Trump (whose imperious father was a character in the movie). So it’s a bit of a surprise to see Gray, in “ Paper Tiger ,” return to more or less

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