For four decades, Ira Sachs has chronicled queer life in New York, shining a light on the artists and iconoclasts whose work gives the city such a vibrant, transgressive edge. “The Man I Love,” which Sachs describes as one of his most personal films, adds to the canon. Set in the 1980s at the height of the AIDS crisis, it follows Jimmy George, a downtown performer who is dying of the virus but desperate to take on one final role. The 60-year-old Sachs drew on his own experiences starting out in