Writer/Director Paul Thomas Anderson and Cinematographer Michael Bauman crafted the “River of Hills” sequence through merging car-mounted VistaVision cameras and a ground-hugging perspective influenced by "The French Connection" to deliver a powerful sense of movement and scale. The sequence is seamlessly supported by the work of Composer Jonny Greenwood, Sound Mixer Tony Villaflor, and Supervising Sound Editor Christopher Scarabosio, whose music and sound design intensify the car chase tension